“If you love life, do not waste time, for that is what life is made of.” — Ben Franklin
Yesterday I had to be indoors, gallery-sitting at the Loading Dock Gallery. The holiday weekend, plus a stunning summer day, ensured a quiet day. However, with time to work, I needed to greet any customers who dropped by. How to create focus that I could interrupt? How to make art in a tiny space, with fragments of time?
Answer: Tidy materials. Small scale.
I packed blue tape, markers, a water brush, and a Koi Watercolor set. I also grabbed a small mixed media sketchbook and my waterbottle. Once settled into the gallery, I taped a page off into four squares . This gave me four tiny “canvases,” each about 1.25 on a side. With little water and a paper towel handy, I was off to my imaginary landscapes.
Blue tape
produces a crisp frame. Remember: paint to the edge for the best results. Judge your colors by each other, not the tape.
With the landscapes, I explored different horizon treatments and palettes. The Koi pigments tend to be very bright. It’s a challenge to create a more subtle mood.
Then, customers appeared. For most of an hour, I was making conversation and closing sales. During brief break, I removed the tape and washed my brush. More customers; some longer conversations. A little sale.
Finally, a quiet spell. I taped up a new page, this time with a better eye for results, locating the squares closer to the center of the page. I looked around the gallery for inspiration. On the wall opposite, city scenes by Wendy James. That was a new challenge.
Small size
reveals the composition. Simplify colors into clear blocks. As you paint, notice which details are essential, and which can drop away.
Turns out cities are harder for me: less familiar and more rigorous. The first and last images were stronger because I borrowed from James’ paintings. She’d already done the hard work, simplifying shapes, choosing colors, and organizing them into a compelling composition. Tip 1: learn from artists you admire.
My other two images are more muddled because I was working from photographs. I was working out too much at once - detail, color, placement -so the whole got muddled. Tip 2: Make value/composition studies first.. Next time!
Still, it felt good to paint, to ask these questions and get some answers in between the public work of selling.
Do you have a kit you use in public spaces? Do you sketch on the train? Paint during your lunch hour? How do you fit art into the small spaces of everyday life?
